Full-length feature based on the Belgian comics created by Peyo in 1958. The villainous McCreep appropriates the magic flute which was created by the Smurfs. McCreep uses the magic flute, which makes people dance uncontrollably, to steal from others. Court jester Peewit and knight Johan are sent by their King to find the villain and return with the flute. With the help of wizard Homnibus, Peewit and Johan travel to Smurfland where Papa Smurf decides a new flute will be made which will counteract with the original one. But when McCreep and his partner in crime, Flatbroke, plan to invade the King's castle, the Smurfs must come up with a plan to outwit the criminals.

"In recent years there has been a resurgence of interest in Hugo Gernsback, and the start of a serious study of the contribution he made to the development of science fiction. . . . It seemed to me that the time was due to reinvestigate the Gernsback era and dig into the facts surrounding the origins of Amazing Stories. I wanted to find out exactly why Hugo Gernsback had launched the magazine, what he was trying to achieve, and to consider what effects he had-good and bad. . . . Too many writers and editors from the Gernsback days have been unjustly neglected, or unfairly criticized. Now, I hope, Robert A. W. Lowndes and I have provided the grounds for a fair consideration of their efforts, and a true reconstruction of the development of science fiction. It's the closest to time travel you'll ever get. I hope you enjoy the trip."-Mike Ashley, Preface

"In recent years there has been a resurgence of interest in Hugo Gernsback, and the start of a serious study of the contribution he made to the development of science fiction. . . . It seemed to me that the time was due to reinvestigate the Gernsback era and dig into the facts surrounding the origins of Amazing Stories. I wanted to find out exactly why Hugo Gernsback had launched the magazine, what he was trying to achieve, and to consider what effects he had-good and bad. . . . Too many writers and editors from the Gernsback days have been unjustly neglected, or unfairly criticized. Now, I hope, Robert A. W. Lowndes and I have provided the grounds for a fair consideration of their efforts, and a true reconstruction of the development of science fiction. It's the closest to time travel you'll ever get. I hope you enjoy the trip."-Mike Ashley, Preface